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Acta Artis Academica 2017
ACTA ARTIS ACADEMICA 2017
Painting as a story
Editorial: Janka Hradilová a David Hradil
Vydala Akademie výtvarných umění v Praze
ISBN: 978-80-87108-75-8
700,- Kč bez DPH (DPH 10%), osobní odběr
doručení poštou - cena zvýšena o náklady na doručení
Z technických důvodů nezasíláme publikace do zahraničí na dobírku. Při zaslání publikací do zahraničí je nutné zvolit způsob úhrady s platbou předem na fakturu.
OBJEDNAT
Sborník obsahuje příspěvky z 6. mezioborové konference ALMA s názvem "Painting as a story", která se konala ve dnech 31. 5 – 3. 6. 2017 v Augustiniánském opatství v Brně. Příspěvky jsou otištěny pouze v anglickém jazyce.
Sborník byl vydán díky finanční podpoře Státního fondu kultury České republiky a institucionární podpory Akademie výtvarných umění v Praze.
OBSAH
Editorial – Painting as a story / Janka Hradilová and David Hradil................................................................ 10
SESSION 1 / DEGRADATION PHENOMENA
Ermanno Avranovich Clerici, Steven De Meyer, Geert Van der Snickt, Koen Janssens
Synchroton X-ray powder diffraction study of lead white oxidation by sodium hypochloride….......................... 13
Steven De Meyer, Frederic Vanmeert, Koen Janssens, Patrick Storme
Amobile scanner for XRPD-imaging of paintings in transmission and reflection geometry…………………....…29
Katarína Haberová, Milena Reháková, Viera Jančovičová, Danica Stojkovičová
The study of the solubility of aged and unaged paint glazes………………………………………………............. 39
SESSION 2 / UNCLEAR PAST I. PRE-MODERN AND MODERN ERA
Janka Hradilová, Eva Bezúchová, David Hradil, Kateřina Šídová
The origin issue of the head of John the Baptist from Tajov……………………………………............................. 55
Annegret Fuhrmann, Christoph Herm
The cuccina cycle by Paolo Veronese in the old masters Picture gallery Dresden – investigationa in
painting technique, later additions, and pigment alterations................................................................................71
Ágnes Kuna
Cosa Rara – restoration of a 16th century Veronese painting on stone...............................................……….... 83
Igor Fogaš, Aleksandra Marković, Marie Zmydlená, Janka Hradilová, Štěpán Vácha,
Martin Čihalík, Pavel Proks
Revelations on the painting the discovery of the holy cross by German painter Joachim von Sandrart............. 93
Janka Hradilová, Hana Kližanová, Miroslav Bezák, Katarína Holcová, Petr Bezdička
Rebecca and Eliezera at the well – amysterious oil painting from the historical museum of the
Slovak National Museum at the Bratislava castle................ ............................................................................. 103
Šárka Radostová, Pavla Hlušičková, Radovan Chmel
The case study of dual identity…….................................................................................................................... 113
Martin Šugár
Apolonio Domenichini and the two unknown venetian vedute in Nove Zámky – restoration,
material-technological analysis and the attempt of attribution…………............................................................. 125
SESSION 2 / UNCLEAR PAST II. ANCIENT HISTORY AND MIDDLE AGES
Michal Cihla, Martin Trefný, Petr Drda, David Hradil, Janka Hradilová
Non-invasive material and traceological research of the stone head from celtic settlement Závist near Prague
...................................................................................... ..................................................................................... 141
Antonina Chaban, Rita Deiana, Matteo Parisatto, Yotam Asscher
Analysis of on-site multispectral images: A case study of degraded wall paintings in Sarno baths, Pompeii.... 151
Michaela Rychlá Navrátilová
Conservation research and reference conservation of medieval wall paintings
in the church of St. Bartholomew in Pošná......................................................................................................... 161
David Zeman, Renata Tišlová
Recently discovered medieval wall paintings at Kunštát chateau, Czech republic............................................. 173
SESSION 3 / UNCLEAR FUTUR. CONSERVATION CHALLENGES
Dorota Białek-Kostecka, Anna Forczek-Sajdak, Zofia Kaszowska, Karolina Molga,
Justyna Skrzelowska
Wall painting consolidation in the polish conservation practice. Needs and challenges…………….................... 189
Katarína Čížová, Katarína Vizárová, Milena Reháková, Aleš Ház, Nina Lalíková,
Patrícia Klöcklerová, Ružena Škuciová, Edmund Kele, Jozef Tihányi
Wax figure from the Červený Kameň Castle Museum – research and material study......................................... 197
Konstantinos Stoupathis
The role of conservation as an artistic process: the case study of episodes in matter
detached walls of R. Papaspyrou…………………………………………………………......................................... 209
Magdalena Kracík Štorkánová, Ivona Neužilová Kociánová
Specific examples of restoration and rescue of glass mosaic monuments from
the turn of the 19th and 20th centuries, realized in the Innsbruck atelier
by Albert Neuhaser`s company (overview paper)..................……………………………...................................... 225
Marcin Kozarzewski
The case study of multidisciplinary project of conservation – restoration of the complex of St. Mary’s church
at Malbork castle in Poland (2014 -2016) (overview paper) ................................................................................ 243
Painting as a story
Editorial: Janka Hradilová a David Hradil
Vydala Akademie výtvarných umění v Praze
ISBN: 978-80-87108-75-8
700,- Kč bez DPH (DPH 10%), osobní odběr
doručení poštou - cena zvýšena o náklady na doručení
Z technických důvodů nezasíláme publikace do zahraničí na dobírku. Při zaslání publikací do zahraničí je nutné zvolit způsob úhrady s platbou předem na fakturu.
OBJEDNAT
Sborník obsahuje příspěvky z 6. mezioborové konference ALMA s názvem "Painting as a story", která se konala ve dnech 31. 5 – 3. 6. 2017 v Augustiniánském opatství v Brně. Příspěvky jsou otištěny pouze v anglickém jazyce.
Sborník byl vydán díky finanční podpoře Státního fondu kultury České republiky a institucionární podpory Akademie výtvarných umění v Praze.
OBSAH
Editorial – Painting as a story / Janka Hradilová and David Hradil................................................................ 10
SESSION 1 / DEGRADATION PHENOMENA
Ermanno Avranovich Clerici, Steven De Meyer, Geert Van der Snickt, Koen Janssens
Synchroton X-ray powder diffraction study of lead white oxidation by sodium hypochloride….......................... 13
Steven De Meyer, Frederic Vanmeert, Koen Janssens, Patrick Storme
Amobile scanner for XRPD-imaging of paintings in transmission and reflection geometry…………………....…29
Katarína Haberová, Milena Reháková, Viera Jančovičová, Danica Stojkovičová
The study of the solubility of aged and unaged paint glazes………………………………………………............. 39
SESSION 2 / UNCLEAR PAST I. PRE-MODERN AND MODERN ERA
Janka Hradilová, Eva Bezúchová, David Hradil, Kateřina Šídová
The origin issue of the head of John the Baptist from Tajov……………………………………............................. 55
Annegret Fuhrmann, Christoph Herm
The cuccina cycle by Paolo Veronese in the old masters Picture gallery Dresden – investigationa in
painting technique, later additions, and pigment alterations................................................................................71
Ágnes Kuna
Cosa Rara – restoration of a 16th century Veronese painting on stone...............................................……….... 83
Igor Fogaš, Aleksandra Marković, Marie Zmydlená, Janka Hradilová, Štěpán Vácha,
Martin Čihalík, Pavel Proks
Revelations on the painting the discovery of the holy cross by German painter Joachim von Sandrart............. 93
Janka Hradilová, Hana Kližanová, Miroslav Bezák, Katarína Holcová, Petr Bezdička
Rebecca and Eliezera at the well – amysterious oil painting from the historical museum of the
Slovak National Museum at the Bratislava castle................ ............................................................................. 103
Šárka Radostová, Pavla Hlušičková, Radovan Chmel
The case study of dual identity…….................................................................................................................... 113
Martin Šugár
Apolonio Domenichini and the two unknown venetian vedute in Nove Zámky – restoration,
material-technological analysis and the attempt of attribution…………............................................................. 125
SESSION 2 / UNCLEAR PAST II. ANCIENT HISTORY AND MIDDLE AGES
Michal Cihla, Martin Trefný, Petr Drda, David Hradil, Janka Hradilová
Non-invasive material and traceological research of the stone head from celtic settlement Závist near Prague
...................................................................................... ..................................................................................... 141
Antonina Chaban, Rita Deiana, Matteo Parisatto, Yotam Asscher
Analysis of on-site multispectral images: A case study of degraded wall paintings in Sarno baths, Pompeii.... 151
Michaela Rychlá Navrátilová
Conservation research and reference conservation of medieval wall paintings
in the church of St. Bartholomew in Pošná......................................................................................................... 161
David Zeman, Renata Tišlová
Recently discovered medieval wall paintings at Kunštát chateau, Czech republic............................................. 173
SESSION 3 / UNCLEAR FUTUR. CONSERVATION CHALLENGES
Dorota Białek-Kostecka, Anna Forczek-Sajdak, Zofia Kaszowska, Karolina Molga,
Justyna Skrzelowska
Wall painting consolidation in the polish conservation practice. Needs and challenges…………….................... 189
Katarína Čížová, Katarína Vizárová, Milena Reháková, Aleš Ház, Nina Lalíková,
Patrícia Klöcklerová, Ružena Škuciová, Edmund Kele, Jozef Tihányi
Wax figure from the Červený Kameň Castle Museum – research and material study......................................... 197
Konstantinos Stoupathis
The role of conservation as an artistic process: the case study of episodes in matter
detached walls of R. Papaspyrou…………………………………………………………......................................... 209
Magdalena Kracík Štorkánová, Ivona Neužilová Kociánová
Specific examples of restoration and rescue of glass mosaic monuments from
the turn of the 19th and 20th centuries, realized in the Innsbruck atelier
by Albert Neuhaser`s company (overview paper)..................……………………………...................................... 225
Marcin Kozarzewski
The case study of multidisciplinary project of conservation – restoration of the complex of St. Mary’s church
at Malbork castle in Poland (2014 -2016) (overview paper) ................................................................................ 243
