Painting as a story
Editorial: Janka Hradilová a David Hradil
Published by Akademie výtvarných umění v Praze
ISBN: 978-80-87108-75-8
We would like to announce that the book can be ordered at alma@alma-lab.cz.
The anthology contains contributions from the 6th interdisciplinary ALMA conference entitled "Painting as a story," which took place from May 31 to June 3, 2017, at the Augustinian Abbey in Brno. The contributions are printed in English only.
The proceedings were published thanks to financial support from the State Fund for Culture of the Czech Republic and institutional support from the Academy of Fine Arts in Prague.
Contents
Janka Hradilová and David Hradil: Editorial – Painting as a story
Session 1 / Degradation phenomena
Ermanno Avranovich Clerici, Steven De Meyer, Geert Van der Snickt, Koen Janssens: Synchroton X-ray powder diffraction study of lead white oxidation by sodium hypochloride
Steven De Meyer, Frederic Vanmeert, Koen Janssens, Patrick Storme: A mobile scanner for XRPD-imaging of paintings in transmission and reflection geometry
Katarína Haberová, Milena Reháková, Viera Jančovičová, Danica Stojkovičová: The study of the solubility of aged and unaged paint glazes
Session 2 / Unclear past I. Pre-modern and modern era
Janka Hradilová, Eva Bezúchová, David Hradil, Kateřina Šídová: The origin issue of the head of John the Baptist from Tajov
Annegret Fuhrmann, Christoph Herm: The cuccina cycle by Paolo Veronese in the old masters Picture gallery Dresden – investigationa in painting technique, later additions, and pigment alterations
Ágnes Kuna: Cosa Rara – restoration of a 16th century Veronese painting on stone
Igor Fogaš, Aleksandra Marković, Marie Zmydlená, Janka Hradilová, Štěpán Vácha, Martin Čihalík, Pavel Proks: Revelations on the painting the discovery of the holy cross by German painter Joachim von Sandrart
Janka Hradilová, Hana Kližanová, Miroslav Bezák, Katarína Holcová, Petr Bezdička: Rebecca and Eliezera at the well – amysterious oil painting from the historical museum of the Slovak National Museum at the Bratislava castle
Šárka Radostová, Pavla Hlušičková, Radovan Chmel: The case study of dual identity
Martin Šugár: Apolonio Domenichini and the two unknown venetian vedute in Nove Zámky – restoration,
material-technological analysis and the attempt of attribution
Session 2 / Unclear past II. Ancient history and Middles Ages
Michal Cihla, Martin Trefný, Petr Drda, David Hradil, Janka Hradilová: Non-invasive material and traceological research of the stone head from celtic settlement Závist near Prague
Antonina Chaban, Rita Deiana, Matteo Parisatto, Yotam Asscher: Analysis of on-site multispectral images: A case study of degraded wall paintings in Sarno baths, Pompeii
Michaela Rychlá Navrátilová: Conservation research and reference conservation of medieval wall paintings in the church of St. Bartholomew in Pošná
David Zeman, Renata Tišlová: Recently discovered medieval wall paintings at Kunštát chateau, Czech republic
Session 3 / Unclear future. Conservations challenges
Dorota Białek-Kostecka, Anna Forczek-Sajdak, Zofia Kaszowska, Karolina Molga,Justyna Skrzelowska: Wall painting consolidation in the polish conservation practice. Needs and challenges
Katarína Čížová, Katarína Vizárová, Milena Reháková, Aleš Ház, Nina Lalíková, Patrícia Klöcklerová, Ružena Škuciová, Edmund Kele, Jozef Tihányi: Wax figure from the Červený Kameň Castle Museum – research and material study
Konstantinos Stoupathis: The role of conservation as an artistic process: the case study of episodes in matter detached walls of R. Papaspyrou…
Magdalena Kracík Štorkánová, Ivona Neužilová Kociánová: Specific examples of restoration and rescue of glass mosaic monuments from the turn of the 19th and 20th centuries, realized in the Innsbruck atelier by Albert Neuhaser`s company (overview paper)
Marcin Kozarzewski: The case study of multidisciplinary project of conservation – restoration of the complex of St. Mary’s church at Malbork castle in Poland (2014 -2016) (overview paper)
